Showing posts with label Bob Harras. Show all posts
Showing posts with label Bob Harras. Show all posts

Wednesday, June 20, 2012

Dazzler #30-Special "Tribute To Ralph Macchio Editon"


A brief note:
This post is dedicated to long-time Marvel Writer-Editor Ralph Macchio.  I began typing up this tribute last Summer, shortly after his retirement as Senior Editor was announced.  As I mentioned in my last post, my "offline" life got crazy last Fall, so I fell behind.  But better late than never, here's my "Thanks for everything, Ralph!" post honoring Ralph Macchio's many years of service as writer, editor and other stuff at Marvel Comics.  I'd like to personally thank Mr. Macchio,he helped make my youth more enjoyable than it would've been without him, especially his stint at Marvel Two-In-One.
'The Debt'

Today we look at the Dazzler's contribution to Assistant Editors' Month. For those unfamiliar with the character, Alison Blaire first appeared in X-men #130. She had the mutant ability to turn sound into laser beams, which she used to create light shows at her concerts. Dazzler was created by a committee of writers & artists (including such luminaries as Tom DeFalco and John Romita Jr.) so that Marvel could cash in on the disco craze...when disco was dying. She was later given her own title (#1 was cover dated March 1981), it ran for 42 issues before being cancelled in late 1985.

Our Assistant Editor is once again Bob Harras.


The cover features a great painting by Bill Sienkewicz, with the AEM "warning" stamp.  Macchio can be found on the right side of the cover, and he's also caricatured in the corner box.


'The Debt' was written by Ken McDonald, penciled by Frank Springer and inked by Vince Colletta.  In the "goofy credits" tradition of AEM, Bob Harras and Ralph Macchio are listed as "Acting Editor" and "Absent Editor", respectively.
We open with Dazzler on a plane that has just been attacked (in the previous issue) by jet fighters. Hack, the pilot has been shot, Dazzler is attending to him.

The plane is owned by Frank Sinatra-esque Hollywood has-been Roman Nekobah, who was pursuing Dazzler's affections at the time. After he flirts with Dazzler,she puts a parachute on Roman and helps him off the plane. She attaches the other chute to the wounded Hack and jumps out with him.


Dazzler uses her powers to attract help, they're spotted by the local police.
Hack is taken to the hospital, Dazzler follows and finds Roman holding court.

The police give Dazzler a ride to the home of Roman's agent Nick Brown, who's also married to Alison's step-sister. After learning that she didn't stay in the hospital, Nick chastises her for not cashing in on the incident to promote her singing career. He says he'll represent her and "provide" with anything she needs, including drugs and men. She is disgusted by this and lets him know.
Her step-sister Lois hears them arguing and agrees with Nick, saying that Alison knows how tough and sleazy the music biz can be.


Alison is disappointed that Lois takes Nick's side in the argument and decides she can no longer stay with them. She walks out, telling Lois she will always care about her.

Alison has no money, so she's forced to hitch hike. She is picked up by none other than Ralph Macchio, the regular Editor of the Dazzler series! He's driving to San Diego for the Comic Con, she decides San Diego is as good as anywhere.



We then cut to an underground base in the Sierra Nevadas, where the men who shot down the plane are planning their next move against Dazzler. The officer in charge tells them he is off to DC for meetings with Generals, his assistant Crespi will temporarily take command. Crespi's name is a reference to Danny Crespi, a long-time Marvel Comics letterer.
We cut to the Marvel offices in New York. Assistant Editor Bob Harras is wondering why his boss (Ralph Macchio) hasn't called. The other Assistant Editors talk about how Ralph has called in every day at 9:30 and every 15 minutes thereafter. Harras is worried about Macchio and the other Editors, wondering if something bad has happened to them.



On the other hand, Mike Carlin hopes they never return to Marvel, so the Assistant Editors can take over for good!

Harras is afraid to do anything without Ralph's approval, but he gets a pep talk from fellow Assistant Editor Ann Nocenti. She reminds him he's in charge while Ralph is away and he can do whatever he wants. Harras agrees and is suddenly confident in his leadership abilities.

Back in San Diego, Alison is staying at the local YWCA, she phones her agent Harry Osgood and asks if he can wire some money.

At the same time, Ralph Macchio arrives at the Comic Con and attracts autograph seekers. He realizes he hasn't phoned Bob Harras, but doesn't bother. Macchio hopes Harras won't screw up any of the titles he edits while he's away.

Back at Marvel, Harras has let his new "power" go to his head. He tells the Marvel creators he's "in charge now!" and has some changes he'd like to implement.
In San Diego, Alison goes to Western Union to get the money from Harry and is spotted by Crespi's anti-mutant military unit. Just like Harras, Crespi's has gotten drunk with power.
Alison heads to the Comic Con to find Ralph. Crespi sets up a weapon that will force any mutant within earshot to use their power and reveal themselves. He believes it will cause the mutants to injure civilians and make it easier for the government to pass anti-mutant laws. Alison feels herself losing control and tries to get out of the crowd before her powers are activated.

But Crespi's machine causes more trouble than he anticipated. A soldier named Zalme suddenly turns into a dinosaur! Another soldier notices and screams "He's a mutant!".  Zalme's name is a reference to Ron Zalme, who served as Marvel's Assistant Production Manager.

The machine drives Zalme crazy and he starts wrecking havoc in the Comic Con! Crespi give his men a "shoot to kill" order, but the bullets have no effect on the dinosaur hide.

Dazzler tries to reason with Zalme, feeling a kinship with a fellow mutant. But he lashes out at her. His smashing and roaring helps Dazzler's sound based powers.



Zalme accidentally brings the building down on top of him, he loses consciousness, their battle is over.



She worries about Ralph, then notices a pillar is about to crush him.  Dazzler saves him just, before the pillar falls.  Ralph spots a phone and calls Bob Harras's office



Back at the Marvel offices, Harras has completely lost it, ranting like a Third World dictator!  He receives the call from his boss Ralph, and realizes he's back to being an Assistant Editor.  At the same time, Dazzler/Alison decides to return to Hollywood and is determined to succeed in the music business.

End of story;but on the last page, we get a one-pager called 'The Ralph Macchio Gallery'.  I'm not sure who drew this, but it's funny enough:


Thanks to Ken McDonald, Frank Springer, Vince Colletta, Bob Harras, and (most of all) Ralph Macchio for giving us a fun issue of Dazzler!  I especially appreciated the parallels drawn between the substitute editor and substitute general in the story.
Next up:
Daredevil and Turk go back to grade school...sort of.

Monday, July 11, 2011

'Iron Man' #178 Part 1

'Once An Avenger, Always An Avenger!'


Welcome back to 'Assistant Editors' Month', today we look at an "Iron Man" story unlike any other.

Some context:

During this era, ‘Iron Man’ was written by Denny O’Neil. Tony Stark had a relapse of his alcoholism, which cost him control of his company Stark International and forced him to give up his Iron Man armor. Obadiah Stane took over the company(renaming it ‘Stane International’) and James Rhodes(Stark’s Chief Of Security) became the new Iron Man. Stark eventually defeated Stane and regained control of his company in 'Iron Man' #200.

The Assistant Editor for this issue was Mike Carlin, we “met” him in an earlier AEM post. Let's recap 'Iron Man' #178, starting with the cover:

In the corner box, Iron Man is turning his back on the issue, and we get the checkerboards and ‘MC’ logo parodying DC’s logo of the 60s again. A disheveled Stark is walking the streets while a boy tears down & defaces posters of Iron Man. Also, if you look closely at the graffiti, you’ll see “Luke + Stevie was here”.

The cover was drawn by Luke McDonnell and inked by Steve Mitchell, that’s a nice way to “sign” the cover.

Instead of the usual "origin" recap normally found atop the splash page, we get an explanation for Editor Mark Gruenwald's "absence":


'Once An Avenger, Always An Avenger' was written by Bob Harras with art by the aforementioned McDonnell and Mitchell.

We open on a kid contemplating vandalism, but he is stopped by the Avengers…or more accurately, a group of young children in homemade “Avengers” costumes. We learn the would-be vandal is Blackie Donovan and the Kostumed Kiddies have pledged to watch the car while its owner is hospitalized.

Donovan promises them they will pay for their interference, while he is taken home by Officer Kelly, the neighborhood beat cop. He wishes Donovan would act more like the "Avenger" kids and we get the impression this isn't the first time Donovan has been caught being a bad boy.


I've always thought that Officer Kelly looked like the Avengers long-time Government Liaison Henry Peter Gyrich. I wonder if that was intentional?

Just like the “real” Avengers, the kids hold a weekly membership meeting, “Iron Man”, whose real name is Mikey, is commended for catching Donovan, but then gets some bad news. In the (then) current issues of ‘The Avengers’, Iron Man had recently left the team, therefore this Iron Man must leave their team.


This part of the story really hit home for me. When I was a kid, I had a friend who always insisted on strict adherence to comic book "continuity" when we played "superheroes". For instance, when we played with Mego dolls, we couldn't use the Joker because Joker was "dead" at the time.

Mikey begs the team to let him stay, but their decision is final.

Mikey wanders the streets, dejected, and discards his “helmet”. Unbeknownst to him, it’s picked up by a shadowy figure, who absconds with it.

On the following day, Iron Man goes on a bullying rampage, breaking toys, stealing bikes and taking lunch money.

When the Avengers go out on a neighborhood "patrol", all the children run away from them in fear.


They’re confused, until Officer Kelly tells them of Iron Man’s recent shenanigans. The Avengers are determined to get to the bottom of this!

Meanwhile, we catch up with Mikey, who just like his hero Iron Man, is “hitting the bottle”…the Coke bottle, that is.

Mikey’s former teammates chide him for Iron Man’s behavior, he pleads innocent and decides to clear his name, Iron Man-style! We get a nice "montage" of Mikey modifying a suit of armor.


A day later, we find Iron Man(literally) taking candy from a baby! Suddenly, the Avengers show up, followed by another Iron Man...on roller skates!


Before anyone has a chance to yell "Shoot Us both,Spock!", the battle is over! The bogus Iron Man is unmasked and revealed to be none other than...Blackie Donovan! . Officer Kelly shows up and tells Donovan he's taking him home to face his mother's punishment. The Avengers apologize and offer Avengers membership to Mikey. He accepts their apology, rejoins the team, and our story ends with the Avengers traditional battle cry!


The end.

Next up, we get a one-page strip written, drawn and "starring" Mike Carlin:


He's laughing over the previous tale about the kids, which prompts him to go on a tangent about 'Little Rascals' short films. But then he remembers how sad the issue's next story is and fights back tears.

And that's where I'll leave you, next time we'll cover Part 2 of this issue.

Thank you Bob Harass, Luke McDonnell,Steve Mitchell and Mike Carlin for another fun AEM story!

J.A.

Friday, June 24, 2011

'Rom,Spaceknight' #50


‘Life With Rom & Brandy’

Today we look at ‘Rom’ #50, Bob Harras was Assistant Editor at the time, covering for the “absent” Editor Ralph Macchio (no relation to the ‘Karate Kid’ actor).

Harras has had quite a storied in the comic biz, working as a writer and editor for Marvel, DC and Wildstorm. He was Marvel’s Editor In Chief from 1995-2000 and currently holds that same title at DC.

For those who may not remember, Rom the Spaceknight was an action figure created by Parker Brothers in 1979(watch a promotional video for the toy here). That same year, the character was licensed to Marvel for a comic book series. The Rom toy wasn’t a success and Parker Brothers abandoned plans for more “Spaceknight” characters.

But the Marvel series continued after the toy was forgotten, running for 75 issues, the last one cover dated February 1986. Rom's greatest foes throughout the series were the Dire Wraiths, a race of shape-shifting aliens. The Wraiths invaded Rom's home planet Galador. They were driven out, Rom pursued them across the universe, eventually following them to Earth. Almost every issue was written by Bill Mantlo and most were penciled by Sal Buscema. The series featured guest stars such as the X-men, Sub-mariner, Power Man & Iron Fist,and Alpha Flight. In addition to the Wraiths, Rom's villains included Galactus and Mystique's Brotherhood Of Evil Mutants. For more info on the series, please visit the excellent 'Rom, Spaceknight:Revisited' tribute site.

Rom’s supporting cast included Brandy Clark, who was one of the the first Earthlings to befriend Rom. By AEM, Brandy was wearing the armor of Starshine, a fallen Spaceknight. She became Rom’s partner in his war against the Dire Wraiths.

Rom #50 was double-sized , and featured a war between the Skrull Empire and the Dire Wraiths, with Rom & Brandy caught in the middle. A good story, but it contained none of the weird/quirky stuff associated with AEM. On the cover at the top of this post, you’ll see the AEM “Warning label” and the cover corner features a cartoonish drawing of Rom(in a smoking jacket) and Brandy(in a housecoat).

At the end of the issue, we got a one-page Rom parody, ‘Life With Rom & Brandy’. This take-off on newspaper comic strips was written and drawn by Bob Harras and inked by Terry Austin:



Upon closer inspection, you'll notice that the headlines on Rom's newspaper change in every panel.

The first headline references a 'Dazzler' story that also featured an appearance by Harras(we'll get to that story in another post down the road).


That's very meta, even by the standards of AEM!

Thanks to Bob Harras and Terry Austin for giving us a laugh!

In our next installment:George Lucas invades AEM!

J.A.