Showing posts with label Ann Nocenti. Show all posts
Showing posts with label Ann Nocenti. Show all posts

Tuesday, June 30, 2015

Defenders #127

"Dreams Of Glory"


Today we look at Defenders #127.  The Assistant Editor for this issue was Ann Nocenti, "substituting" for regular Editor Carl Potts.

Let's start by examining the cover at the top of this page. We get the "Beware" stamp plus the "Warning" in the left corner.

Instead of the usual Defenders in the corner box, we get a caricature of Nocenti, wearing Angel's costume. 


The main Defenders story contained in this issue is a "normal" tale with no jokes or AEM silliness.  But it opens with a short story titled "Dreams Of Glory", written by Nocenti herself with art from Marie Severin. 


While Marvel's Assistant Editors bid farewell to their bosses (who are leaving to attend the Comic Con), Ann Nocenti runs off to her office.  She changes from "dainty, demure, devoted assistant" into Super Editor!


Nocenti declares herself Editor In Chief in Jim Shooter's absence.  Superheroes start climbing out of her file cabinet making demands of Nocenti. Unfortunately, Nocenti's new editorial powers go to her head!  She gets Stephen King to write a series!  Nocenti decides to kill off characters (including Daredevil!) as a way to clear out the "deadwood."   


She threatens to kick freelance creators to the curb if they miss deadlines!

Marvel is thriving under her leadership, when suddenly, production manager Danny Crespi knock's on Nocenti's door.  The knock snaps Nocenti out of her delusion, turning her back into her "lil' ole me." 


And that's how the story ends.

Some notes about the people involved in this story:
Nocenti's great career was covered in an earlier post, read more about her here.

Production manager Danny Crespi worked for more than 30 years in the industry, starting as a letterer.
Annie Nocenti with Danny Crespi in 1982 (photo courtesy of AEM veteran Eliot R. Brown)
Marvel employed Crespi as head letterer and later production manager from 1972 until his untimely death in 1985.  

Penciler Marie Severin is a comic book legend.  She worked as an artist and colorist in comics from 1949 into the 2000s.  I discovered her work via back issues of Tales To Astonish and Crazy magazine.  Severin turned 85 last August and her work was recently the subject of an art show at the University of Southern California. Author (and former Marvel Assistant Editor) Scott Edelman occasionally visits his friend Marie and shares stories and photos of their visits.  Based on Edelman's reports, Severin is doing well and still enjoys sketching superheroes.

"Mirthful" Marie Severin (thanks to Scott Edelman for letting me use this great photo!)
Thanks to Annie Nocenti and Marie Severin for producing a short-but-fun AEM story!

Wednesday, June 20, 2012

Dazzler #30-Special "Tribute To Ralph Macchio Editon"


A brief note:
This post is dedicated to long-time Marvel Writer-Editor Ralph Macchio.  I began typing up this tribute last Summer, shortly after his retirement as Senior Editor was announced.  As I mentioned in my last post, my "offline" life got crazy last Fall, so I fell behind.  But better late than never, here's my "Thanks for everything, Ralph!" post honoring Ralph Macchio's many years of service as writer, editor and other stuff at Marvel Comics.  I'd like to personally thank Mr. Macchio,he helped make my youth more enjoyable than it would've been without him, especially his stint at Marvel Two-In-One.
'The Debt'

Today we look at the Dazzler's contribution to Assistant Editors' Month. For those unfamiliar with the character, Alison Blaire first appeared in X-men #130. She had the mutant ability to turn sound into laser beams, which she used to create light shows at her concerts. Dazzler was created by a committee of writers & artists (including such luminaries as Tom DeFalco and John Romita Jr.) so that Marvel could cash in on the disco craze...when disco was dying. She was later given her own title (#1 was cover dated March 1981), it ran for 42 issues before being cancelled in late 1985.

Our Assistant Editor is once again Bob Harras.


The cover features a great painting by Bill Sienkewicz, with the AEM "warning" stamp.  Macchio can be found on the right side of the cover, and he's also caricatured in the corner box.


'The Debt' was written by Ken McDonald, penciled by Frank Springer and inked by Vince Colletta.  In the "goofy credits" tradition of AEM, Bob Harras and Ralph Macchio are listed as "Acting Editor" and "Absent Editor", respectively.
We open with Dazzler on a plane that has just been attacked (in the previous issue) by jet fighters. Hack, the pilot has been shot, Dazzler is attending to him.

The plane is owned by Frank Sinatra-esque Hollywood has-been Roman Nekobah, who was pursuing Dazzler's affections at the time. After he flirts with Dazzler,she puts a parachute on Roman and helps him off the plane. She attaches the other chute to the wounded Hack and jumps out with him.


Dazzler uses her powers to attract help, they're spotted by the local police.
Hack is taken to the hospital, Dazzler follows and finds Roman holding court.

The police give Dazzler a ride to the home of Roman's agent Nick Brown, who's also married to Alison's step-sister. After learning that she didn't stay in the hospital, Nick chastises her for not cashing in on the incident to promote her singing career. He says he'll represent her and "provide" with anything she needs, including drugs and men. She is disgusted by this and lets him know.
Her step-sister Lois hears them arguing and agrees with Nick, saying that Alison knows how tough and sleazy the music biz can be.


Alison is disappointed that Lois takes Nick's side in the argument and decides she can no longer stay with them. She walks out, telling Lois she will always care about her.

Alison has no money, so she's forced to hitch hike. She is picked up by none other than Ralph Macchio, the regular Editor of the Dazzler series! He's driving to San Diego for the Comic Con, she decides San Diego is as good as anywhere.



We then cut to an underground base in the Sierra Nevadas, where the men who shot down the plane are planning their next move against Dazzler. The officer in charge tells them he is off to DC for meetings with Generals, his assistant Crespi will temporarily take command. Crespi's name is a reference to Danny Crespi, a long-time Marvel Comics letterer.
We cut to the Marvel offices in New York. Assistant Editor Bob Harras is wondering why his boss (Ralph Macchio) hasn't called. The other Assistant Editors talk about how Ralph has called in every day at 9:30 and every 15 minutes thereafter. Harras is worried about Macchio and the other Editors, wondering if something bad has happened to them.



On the other hand, Mike Carlin hopes they never return to Marvel, so the Assistant Editors can take over for good!

Harras is afraid to do anything without Ralph's approval, but he gets a pep talk from fellow Assistant Editor Ann Nocenti. She reminds him he's in charge while Ralph is away and he can do whatever he wants. Harras agrees and is suddenly confident in his leadership abilities.

Back in San Diego, Alison is staying at the local YWCA, she phones her agent Harry Osgood and asks if he can wire some money.

At the same time, Ralph Macchio arrives at the Comic Con and attracts autograph seekers. He realizes he hasn't phoned Bob Harras, but doesn't bother. Macchio hopes Harras won't screw up any of the titles he edits while he's away.

Back at Marvel, Harras has let his new "power" go to his head. He tells the Marvel creators he's "in charge now!" and has some changes he'd like to implement.
In San Diego, Alison goes to Western Union to get the money from Harry and is spotted by Crespi's anti-mutant military unit. Just like Harras, Crespi's has gotten drunk with power.
Alison heads to the Comic Con to find Ralph. Crespi sets up a weapon that will force any mutant within earshot to use their power and reveal themselves. He believes it will cause the mutants to injure civilians and make it easier for the government to pass anti-mutant laws. Alison feels herself losing control and tries to get out of the crowd before her powers are activated.

But Crespi's machine causes more trouble than he anticipated. A soldier named Zalme suddenly turns into a dinosaur! Another soldier notices and screams "He's a mutant!".  Zalme's name is a reference to Ron Zalme, who served as Marvel's Assistant Production Manager.

The machine drives Zalme crazy and he starts wrecking havoc in the Comic Con! Crespi give his men a "shoot to kill" order, but the bullets have no effect on the dinosaur hide.

Dazzler tries to reason with Zalme, feeling a kinship with a fellow mutant. But he lashes out at her. His smashing and roaring helps Dazzler's sound based powers.



Zalme accidentally brings the building down on top of him, he loses consciousness, their battle is over.



She worries about Ralph, then notices a pillar is about to crush him.  Dazzler saves him just, before the pillar falls.  Ralph spots a phone and calls Bob Harras's office



Back at the Marvel offices, Harras has completely lost it, ranting like a Third World dictator!  He receives the call from his boss Ralph, and realizes he's back to being an Assistant Editor.  At the same time, Dazzler/Alison decides to return to Hollywood and is determined to succeed in the music business.

End of story;but on the last page, we get a one-pager called 'The Ralph Macchio Gallery'.  I'm not sure who drew this, but it's funny enough:


Thanks to Ken McDonald, Frank Springer, Vince Colletta, Bob Harras, and (most of all) Ralph Macchio for giving us a fun issue of Dazzler!  I especially appreciated the parallels drawn between the substitute editor and substitute general in the story.
Next up:
Daredevil and Turk go back to grade school...sort of.

Friday, July 22, 2011

'Marvel Fanfare' #12

'Marvel Annfare'


(Above:Back cover for 'Marvel Fanfare' #12)
Since the multimillion blockbuster 'Captain America' movie was released last weekend, I thought it was a good time to look at another AEM story that (sort of) featured Cap.

A little background on this series:

'Marvel Fanfare' was launched in late 1981 (#1 was cover dated March 1982). It was an anthology series printed on glossy Baxter paper. Most issues contained more than one story.

The Editor for the series was long-time writer-artist Al Milgrom. At the beginning of every issue, the inside cover featured a comic strip called 'Editori-Al', where Milgrom(who also drew the strips) spoke directly to the reader. Here's one, from 'Marvel Fanfare' #5:

And Milgrom was usually featured in the corner on most issues of the series too:

Since the book's Editor also served as its "mascot", 'Fanfare' was more AEM-ready than any other title!

But back to #12, starting with the cover. The Black Widow is the main attraction(since the first story of this issue is part 3 of a 4-part Widow story), and it's a "normal" story.

But the corner box shows Milgrom getting pushed aside by Assistant Editor Ann Nocenti, who was featured in an earlier post.


With Editor Milgrom "away" at the Comic-con, Nocenti also takes over his strip, renaming it 'Editori-Gal'. We get appearances from several Marvel creators pitching ideas for future 'Marvel Fanfare' stories. She approves all the story proposals and acting as Editor of 'Fanfare' seems to come naturally and easily to Nocenti.
Check out the "sketch" of Longshot behind Nocenti in the 2nd panel, 2 years before the character mad his debut!

After the Black Widow story, we get to 'Marvel Annfare', written by Nocenti and Roger Stern, with Milgrom providing the art. It sort of picks up where 'Editori-Gal' left off.
Stern rushes in to Nocenti's office.

Stern's upset because no Editors are present and he has ideas he wants to pitch to them. The Assistant Editors don't have the authority to approve of future storylines beyond AEM. Stern is worried he won't be able to get ahead of schedule, which was rare in those days. Nocenti points out that he has extra time to work on an upcoming Captain America story that will be published in 'Fanfare'.
Stern is too depressed to write the story, so Nocenti decides he needs inspiration. She (literally) breaks out a Captain America costume for Stern to wear, hoping to spark his creativity.
Check out panel 3 on the above page for a horrible pun about Thor's Uru Hammer!

Stern dons the Cap suit, and Nocenti is impressed with how great it looks on him!


Until she realizes she was looking at the real Cap, who pops in for a cameo. Stern looks silly in the ill-fitting costume, but Nocenti keeps offering encouragement:

Stern used to write Cap's series and remembers that Cap's principles not his strength & agility were his defining characteristic. He waxes poetic about Cap being a symbol for the qualities that make America great. Stern then gets a little gung-ho and throws Cap's shield around the Marvel offices.
The shield bounces off walls and eventually out the window into the garbage. After debating about what sound effect the shield made when it hit the dumpster, they go outside to retrieve it, but are frightened by what they see.


They stumble on a gang of tough, scary looking vandals who are defacing Marvel's exterior walls! One of them pulls the shield out of the dumpster and Stern is reluctant to ask him to give it back. Nocenti tells him to embrace his inner-Captain America and reason with the vandals.

Much to his surprise, "Captain Ameri-Stern" is able to talk down the vandals and actually convinces them to take pride in their city. They proceed to clean their graffiti off the walls!

They return inside, Stern takes off the suit. He is ready to write the Cap story and thanks Nocenti for aiding the creative process. But suddenly a package from Al Milgrom arrives. It's a stack of Avengers stories for Stern, so the 'Captain America' story is pushed to the back burner.

Feeling a sense of accomplishment, Nocenti returns to her desk. Suddenly, another writer rushes in with a similar problem:It's Bill Mantlo! His proposal for a Rocket Raccoon/Jack Of Hearts team-up has been turned down by Marvel. Nocenti realizes that she's in for a long day, and she has learned that being a full-time Editor is hard work. The end.

Another funny story from AEM. I love the "Orphan Annie" eyes that Milgrom gives Nocenti. It was nice to flashback to the old Marvel Bullpen and the cameos of 80s creators (including the late Frank Springer).

And while we're on the subject of Stern & Captain America, I recommend all readers pick up the Captain America tpb called 'War And Remembrance', written by Stern. I contains some of the all-time best Cap stories!

The issue ends with 'Robbie's Page'. 'Fanfare' normally ended with 'Shooter's Page', a column written by Editor In Chief Jim Shooter. He would talk about the industry, offer commentary on comics, storytelling techniques, stuff like that. But since it's AEM, this month's edition was written by Marvel Colorist Robbie Carosella. He talks about his work in the Marvel Stat room and the Marvel Softball team, which he managed at the time.

Coming up next:
Indiana Jones And The Raiders Of The Late Book!