Monday, April 22, 2013

Alpha Flight #6


"Snowblind" 


Note:
This issue has been reprinted in a trade paperback called Alpha Flight Classic Vol.1.  Since it's readily available in a nice, glossy book format, I won't be featuring many scans from the issue.  

Let's take a look at "Snowblind", written, penciled and inked by John Byrne.  The Assitant Editor for this issue was Linda Grant.

Corporal Anne McKenzie (better known as Snowbird of Alpha Flight) of the Royal Canadian Mounted Police is being disciplined by her superior.  She's made a nasty habit of disappearing from her post, since she's often called away when she needs to help Alpha Flight.  When asked to explain her absences, she can't, because she doubts they'll believe her.

The "Beware" of AEM stamp shows up on the splash page.



McKenzie is confined to a cell.

Nearby, oil workers are working on a well.  A worker named Thom says that the land is sacred to his people and drilling there could lead to disaster.  Thom's pleas are ignored.  Their efforts accidentally awaken Kolomaq, the Great Beast of the Snow!  He can control the snow, ice and temperature.



Their efforts accidentally awaken Kolomaq, the Great Beast of the Snow!  He can control the snow, ice and temperature.



Snowbird arrives and attempts to stop Kolomaq.



He creates a blizzard around them, rendering Snowbird...snowblind, as the title would indicate.  Snowbird counters by using her shape-shifting powers to  transform into a white bear.  She attacks Kolomaq, this is what it looks like:



It goes on like this for several pages, as Snowbird changes from white bear to white owl.



Eventually, Snowbird defeats Kolomaq and buries him under rubble.

I want to acknowledge the contributions here from letterer Michal Higgins.  You can almost see the battle due to Higgins' action-packed words in the "blizzard" panels. 

I know some readers didn't like the "blank" panels, but I've always thought they were funny. 

At the end of the issue, we get this "message in a bottle" from Linda Grant.  It's drawn by legendary artist Marie Severin.


Thanks to John Byrne, Michael Higgins, Linda Grant and Marie Severin producing an entertaining AEM issue. 

That's all, for the rest of the story, pick up the aforementioned Alpha Flight tpb. 

J.A.





Friday, April 12, 2013

Daredevil #202

"A Life In The Day"
Welcome back to Assistant Editors' Month Online!  Today we look at Daredevil #202, the Assistant Editor for this issue was Michael Higgins. 

Let's take a look at the cover.  It's got the "beware" of AEM stamp.


In the corner box, instead of Daredevil, we get a frightened Foggy Nelson commenting on the cover action.  Also, the "Pop Art Productions" caption is a reference to Marvel's brief name change in 1965.  They were trying to cash in on the Pop Art movement of the 1960s.  

There's nothing unusual about the main story.  But it is important since it introduced Micah Synn.  He's mostly forgotten now, but Synn was a major player in the Daredevil series for most of the next year.

Here's the splash page:

Let's zoom in & take a closer look at the credits:


Higgins has not only scribbled over the name of regular editor Bob Budiansky, he's spelled "editor" incorrectly!
This issue requires a little background, since some of the jokes and references are even more "inside" than usual.  It features an obscure Marvel character named Dirk McGirk.

Dirk McGirk was created by Mike Carlin in the pages of Crazy magazine (a Mad magazine knockoff published by Marvel in the 70s & 80s).  Dirk's "homework assignments" were often featured in Crazy.  Here's his "book report" on Mary Shelly's Frankenstein, (from Crazy #86):


We also see Turk Barrett in this story.  Turk was a prominent supporting character in Daredevil at the time.  Turk first appeared in DD#159 (it was later retconned that he first appeared in #69, but I always thought that was silly,since the "Turk" in that issue hardly resembles the later character), he had already appeared in 18 issues of the title when this issue was published.

Turk Barrett, as he looked in early appearances.
Turk was a low-level hoodlum who often tried to get on the Kingpin's good side.  He was a bumbling baddie, usually used for comic effect.  Turk also frequently served as an (unwilling) informant for Daredevil.  Interactions between the two often ended with Turk going through a window.  Even though he was a bad guy, I always felt sort of sorry for Turk, not to mention his equally hapless sidekick Grotto.

Which brings us to our featured story, "A Life In The Day". It's written by Mike Carlin, penciled and inked by Luke McDonnell.  Their names (and the rest of the credits) are written under the crossed-out names of the usual creative team.

 

It's Show-And-Tell day in Miss Speld's (yep, that's the teacher's name) class.  It's time for Dirk McGirk's presentation.  Miss Speld calls his name, but he's not present. 


Suddenly, the classroom door flies off its hinges into the room, with Dirk on top of it.  He's wearing a homemade Daredevil costume.  He says that Dirk couldn't make it to class, but his friend Daredevil will present on Dirk's behalf.


"Daredevil" gives a brief summary of his career and the villains he's fought.  It's accompanied by drawings of DD's villains, such as Electro, the Owl, Bullseye, Elektra & Black Widow.  Dirk, er, Daredevil seems to get "Electro" confused with "Elektra". 


Miss Speld is NOT amused.  When Dirk lobbies for an A, it looks like Speld will "grade" his presentation with her ruler!  But suddenly, someone comes crashing through the window.  



It's Turk! He's a bit dazed, when he sees Dirk, Turk thinks he's the real Daredevil. 


Then Daredevil shows up.  He thanks Dirk for "holding" Turk until he arrived to pick him up. 


Miss Speld decides to cancel class, since Daredevil made such a mess in her classroom.  Dirk gets an F for his presentation, but he's treated like a hero because of his interactions with DD, carried on the shoulders of his classmates.  The End.

As far as I know, this is the last time Dirk McGirk is seen or mentioned in comics.  As a fan of Crazy, I'd love to see Dirk revived someday.

Thanks to Mike Carlin, Luke McDonnell and Michael Higgins for another fun-filled AEM story!

 

Wednesday, June 20, 2012

Dazzler #30-Special "Tribute To Ralph Macchio Editon"


A brief note:
This post is dedicated to long-time Marvel Writer-Editor Ralph Macchio.  I began typing up this tribute last Summer, shortly after his retirement as Senior Editor was announced.  As I mentioned in my last post, my "offline" life got crazy last Fall, so I fell behind.  But better late than never, here's my "Thanks for everything, Ralph!" post honoring Ralph Macchio's many years of service as writer, editor and other stuff at Marvel Comics.  I'd like to personally thank Mr. Macchio,he helped make my youth more enjoyable than it would've been without him, especially his stint at Marvel Two-In-One.
'The Debt'

Today we look at the Dazzler's contribution to Assistant Editors' Month. For those unfamiliar with the character, Alison Blaire first appeared in X-men #130. She had the mutant ability to turn sound into laser beams, which she used to create light shows at her concerts. Dazzler was created by a committee of writers & artists (including such luminaries as Tom DeFalco and John Romita Jr.) so that Marvel could cash in on the disco craze...when disco was dying. She was later given her own title (#1 was cover dated March 1981), it ran for 42 issues before being cancelled in late 1985.

Our Assistant Editor is once again Bob Harras.


The cover features a great painting by Bill Sienkewicz, with the AEM "warning" stamp.  Macchio can be found on the right side of the cover, and he's also caricatured in the corner box.


'The Debt' was written by Ken McDonald, penciled by Frank Springer and inked by Vince Colletta.  In the "goofy credits" tradition of AEM, Bob Harras and Ralph Macchio are listed as "Acting Editor" and "Absent Editor", respectively.
We open with Dazzler on a plane that has just been attacked (in the previous issue) by jet fighters. Hack, the pilot has been shot, Dazzler is attending to him.

The plane is owned by Frank Sinatra-esque Hollywood has-been Roman Nekobah, who was pursuing Dazzler's affections at the time. After he flirts with Dazzler,she puts a parachute on Roman and helps him off the plane. She attaches the other chute to the wounded Hack and jumps out with him.


Dazzler uses her powers to attract help, they're spotted by the local police.
Hack is taken to the hospital, Dazzler follows and finds Roman holding court.

The police give Dazzler a ride to the home of Roman's agent Nick Brown, who's also married to Alison's step-sister. After learning that she didn't stay in the hospital, Nick chastises her for not cashing in on the incident to promote her singing career. He says he'll represent her and "provide" with anything she needs, including drugs and men. She is disgusted by this and lets him know.
Her step-sister Lois hears them arguing and agrees with Nick, saying that Alison knows how tough and sleazy the music biz can be.


Alison is disappointed that Lois takes Nick's side in the argument and decides she can no longer stay with them. She walks out, telling Lois she will always care about her.

Alison has no money, so she's forced to hitch hike. She is picked up by none other than Ralph Macchio, the regular Editor of the Dazzler series! He's driving to San Diego for the Comic Con, she decides San Diego is as good as anywhere.



We then cut to an underground base in the Sierra Nevadas, where the men who shot down the plane are planning their next move against Dazzler. The officer in charge tells them he is off to DC for meetings with Generals, his assistant Crespi will temporarily take command. Crespi's name is a reference to Danny Crespi, a long-time Marvel Comics letterer.
We cut to the Marvel offices in New York. Assistant Editor Bob Harras is wondering why his boss (Ralph Macchio) hasn't called. The other Assistant Editors talk about how Ralph has called in every day at 9:30 and every 15 minutes thereafter. Harras is worried about Macchio and the other Editors, wondering if something bad has happened to them.



On the other hand, Mike Carlin hopes they never return to Marvel, so the Assistant Editors can take over for good!

Harras is afraid to do anything without Ralph's approval, but he gets a pep talk from fellow Assistant Editor Ann Nocenti. She reminds him he's in charge while Ralph is away and he can do whatever he wants. Harras agrees and is suddenly confident in his leadership abilities.

Back in San Diego, Alison is staying at the local YWCA, she phones her agent Harry Osgood and asks if he can wire some money.

At the same time, Ralph Macchio arrives at the Comic Con and attracts autograph seekers. He realizes he hasn't phoned Bob Harras, but doesn't bother. Macchio hopes Harras won't screw up any of the titles he edits while he's away.

Back at Marvel, Harras has let his new "power" go to his head. He tells the Marvel creators he's "in charge now!" and has some changes he'd like to implement.
In San Diego, Alison goes to Western Union to get the money from Harry and is spotted by Crespi's anti-mutant military unit. Just like Harras, Crespi's has gotten drunk with power.
Alison heads to the Comic Con to find Ralph. Crespi sets up a weapon that will force any mutant within earshot to use their power and reveal themselves. He believes it will cause the mutants to injure civilians and make it easier for the government to pass anti-mutant laws. Alison feels herself losing control and tries to get out of the crowd before her powers are activated.

But Crespi's machine causes more trouble than he anticipated. A soldier named Zalme suddenly turns into a dinosaur! Another soldier notices and screams "He's a mutant!".  Zalme's name is a reference to Ron Zalme, who served as Marvel's Assistant Production Manager.

The machine drives Zalme crazy and he starts wrecking havoc in the Comic Con! Crespi give his men a "shoot to kill" order, but the bullets have no effect on the dinosaur hide.

Dazzler tries to reason with Zalme, feeling a kinship with a fellow mutant. But he lashes out at her. His smashing and roaring helps Dazzler's sound based powers.



Zalme accidentally brings the building down on top of him, he loses consciousness, their battle is over.



She worries about Ralph, then notices a pillar is about to crush him.  Dazzler saves him just, before the pillar falls.  Ralph spots a phone and calls Bob Harras's office



Back at the Marvel offices, Harras has completely lost it, ranting like a Third World dictator!  He receives the call from his boss Ralph, and realizes he's back to being an Assistant Editor.  At the same time, Dazzler/Alison decides to return to Hollywood and is determined to succeed in the music business.

End of story;but on the last page, we get a one-pager called 'The Ralph Macchio Gallery'.  I'm not sure who drew this, but it's funny enough:


Thanks to Ken McDonald, Frank Springer, Vince Colletta, Bob Harras, and (most of all) Ralph Macchio for giving us a fun issue of Dazzler!  I especially appreciated the parallels drawn between the substitute editor and substitute general in the story.
Next up:
Daredevil and Turk go back to grade school...sort of.

Thursday, May 3, 2012

Avengers #239


'Late Night Of The Super-Stars'

Welcome back everyone, it's been a long time since my last post here.  My "offline" life got hectic last Fall and I let this go.  Since the Avengers movie comes out this week, I figured it was a great time to restart this blog, with a look at what is likely the best-remembered issue published during Assistant Editors' Month: The Avengers' appearance on Late Night With David Letterman.  Assistant Editor Mike Carlin once again "took over" for regular Editor Mark Gruenwald.
Danny Fingeroth interviewed Carlin about this issue in Back Issue #19: 

FINGEROTH: Was it your idea to try to get the
Letterman show in The Avengers?
CARLIN: Yeah, it was my idea, because I was a big fan of
it. Roger Stern, who was writing Avengers at the time,
also loved Letterman. I called up Letterman’s agent and
they said, “Sure.” It was that simple. We sent a letter,
they signed it, and in the indicia we just had to say, “all
the characters in this book are copyright Marvel Comics
except David Letterman and Paul Shaffer.”

(Carlin wasn't kidding, click on the above image to see the indicia)

FINGEROTH: Now, in the AEM Avengers issue, it’s not like
there was a backup where Letterman met the Avengers
and they shook hands. He was integral to the story itself.
CARLIN: The story involved a running villain, a lightweight
villain for the Avengers, called Fabian Stankowicz.
The Avengers were on Late Night with David Letterman
when Fabian attacked (because it was easier then to
get tickets to David Letterman, I guess). [laughs]
FINGEROTH: Was the issue in the middle of a storyline?
CARLIN: This one did not interrupt a major storyline,
but it used all the regular series characters and it was
in current continuity at the time.

'Late Night Of The Super-Stars' was written by Roger Stern, Penciled by Al Milgrom and inked by Joe Sinnott.  
We open with Hawkeye returning to the Avengers' mansion for the first time in months.  He's brought his new wife Mockingbird to meet his teammates.  Hawkeye is startled at the Vision's appearance, they both recount their recent adventures (Note: On my other blog, I recently reviewed a reprint book that details how Hawkeye met and fell for Mockingbird, read that review here).






When Hawkeye steps out, Vision gets a call from his "brother"  Simon Williams, AKA Wonder Man. Wondy's acting career hasn't been going well, so his agent arranged for him to appear on Late Night With David Letterman!   But, Letterman's people want him to bring along other Avengers.

With most of the team away in California, Vision calls several reserve Avengers to see if they (along with Hawkeye) can appear on Late Night.  Black Panther, Beast and Black Widow agree to accompany Wonder Man on the show.
Bumbling "genius" inventor and wanna-be super-villain Fabian Stankowicz (who was easily defeated by the Avengers in issues 217 & 221) learns of the Avengers booking on Letterman and thinks 'Late Night' will be a good place to exact revenge.
The Avengers all arrive at NBC Studios at 30 Rockefeller Center in New York and exchange pleasantries.
Meanwhile, Stankowicz disguises as a repairman and rigs up trap for the Avengers before joining Letterman's studio audience.
Hawkeye is nervous about how ex-girlfriend Black Widow will get along with his wife Mockingbird, but they get along fine.  Hawkeye is also fretting over the fact that he's having hearing problems (as a result of a recent battle).  He doesn't want this to become common knowledge (it would tip off his enemies that he's not 100%).
Finally, it's show time!  Letterman appears on stage for his monologue.  Bandleader Paul Shaffer is wearing a Captain America t-shirt in honor of the Avengers.
The Avengers join Letterman, their interview begins with a surprise announcement from Beast: He's quitting the Avengers to devote more time towards making the Defenders a "real" team.  Stankowicz is angry, these "Avengers" aren't the same group of heroes who previously defeated him.
Stankowicz figures, "An Avenger is an Avenger", and decides it's time to attack; he activates a camera that shoots laser beams at the Avengers!
Elsewhere in 30 Rock, a dumpster turns into a "metal roller" (Roger Stern's words, not mine!) and attacks the Avengers...destroying Beast's favorite shirt in the process!

Black Panther & Wonder Man try to stop the roller, while Hawkeye & Black widow deal with the laser camera.
Stankowicz believes the Avengers are doomed and decides to introduce himself to Letterman and his viewers.  He says he invented the gizmos that attacked the Avengers, just to prove it could be done....and to make a name for himself.  Letterman realizes he's dealing with a disturbed individual.   Stankowicz goes on to detail how his devices work.  

Hawkeye shoots an arrow at Stankowicz, but he and Letterman are protected by a forcefield.
Finally, Letterman snaps into action and knocks out Stankowicz with the Giant Doorknob!
FYI:The "Giant Doorknob" was frequently featured on early episodes of Late Night

The Avengers make quick work of Stankowicz's machines.
Stankowicz makes a run for it, but runs into Mockingbird, who hands him over to the police.
Wonder Man eagerly anticipates the show hitting the air, but the telecast is interrupted by an emergency news bulletin!  That Wonder Man won't get the exposure from the Letterman show.    But then he listens to the report, and hears that a ship carrying chemicals is on fire in the East River.  The Avengers (led by Wonder Man) rush of to rescue the ship.

I'll "zoom in" on the last two panels and give Beast the last word!:

If you check the "funny credits" (a trademark of AEM) above, you'll see it reads "Stan Lee, Jim Shooter & Mark Gruenwald All On The West Coast", and Larry "Bud" Melman is credited for inspiration.

In case anyone reading this doesn't get the reference, "Bud" Melman was a very funny recurring character on Late Night played by actor Calvert De Forest.  He later followed Letterman to CBS and made appearances on the show until his death in 2007.
Calvert DeForest, AKA Larry "Bud" Melman


Following the story, we get "Michael Carlin's Page O'Avengers Stuff" (similar to a feature Carlin wrote in Crazy magazine) instead of the normal letters column.

Carlin schools a fan who wants a Marvel "No-Prize".  He also holds up a sign that displays the shoe sizes of the Avengers creative team.  At the bottom of the sign, there's another reference to Larry "Bud" Melman.  With two mentions in the same issue, I'm wondering why Melman didn't make an appearance in the story.  Maybe he didn't sign a release?

All in all, this is a very funny issue, probably the high point of Assistant Editors' Month.  I was a big fan of Letterman and Marvel Comics when this came out, so this has long been one of my favorite comic book stories.  I'd like to thank Roger Stern, Al Milgrom, Joe Sinnott and Mike Carlin for making this story happen back in '83!

That's all, next time:
Dazzler visits the San Diego ComiCon!